Learning by listening

Posted by on Mar 7, 2015

Learning  by listening

Jazz musicians learn and develop by listening as well as by playing. It doesn’t matter which starts first in my opinion, but I know that going to hear live jazz and exploring it on record and through radio have been vital aspects in my own musical growth. It has both excited me about the possibilities for my own music and taught me invaluable lessons of approach and execution. There may be exceptions – maybe – who have pursued a solitary path with originality and inventiveness. Even so they probably need other musicians to play with in order to fulfil their creative impulses, and in jazz ‘playing with’ has to mean ‘listening to’ in my book. What brings this to mind? I was recently the guest on Alan Musson’s excellent show ‘Jazz Kaleidoscope’ (The Bridge Radio) which afforded me the opportunity to choose almost two hours of music for the show. As you would expect, I spent a considerable time trawling through my CDs to put my playlist together. With so much to choose from I had to deal sternly with myself to arrive at a list that truly justified its selection. So what criteria carried the day? In the end there were two themes: one was to do with people crossing boundaries and playing in someone else’s yard. It’s more than ‘crossover’, which for me occasionally suggests cleverness without a further musical need or justification, like riding two bicycles at once. So for example ‘Hands’, Dave Holland’s collaboration with Spanish guitarist and head of Flamenco dynasty Pepe Habichuela; Dave confides in the liner notes that it took him a couple of years to work out what he should really play! Or Roland Kirk’s treatment of ‘Say A Little Prayer’, which expands a brilliant popular song into an anthem for Martin Luther King and all the tribulations of the African-American people, regretfully as relevant today as it was in the 1960s. The other strand was about me acknowledging those who inspired me, and whose creativity and artistry helped to illuminate my path as I was finding my way. This rather large number of artists comprises many American but also many British musicians. Thinking again about Jack Bruce, (see my post ‘Jack Bruce – Recollections and Reflections’) I was thrilled to rediscover on Gilles Peterson’s ‘Impressed Vol. 1’ the marvellous ‘Dejeuner Sur L’Herbe’ by the New Jazz Orchestra. Not only is Jack Bruce on double bass, helping to hold Neil Ardley’s superb...

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Jack Bruce – Recollections and Reflections

Posted by on Nov 4, 2014

Jack Bruce – Recollections and Reflections

Many people were saddened by the recent death of Jack Bruce.  Bassists in particular have reason to acknowledge his influence and his passing. I certainly do. As a young man and beginning bassist in London in the 1960s I had opportunities to hear many fine players, both of double bass and electric bass. Ron Mathewson, Chris Laurence, Dave Green, Danny Thompson, Jeff Clyne and Harry Miller were among my favourite jazzers. They were readily ‘available’ at club gigs around London. Listening to Jazz Club on the radio I grew to identify some players by their sound alone, because in those days bass amplification had yet to arrive. (When it did, for a while everyone sounded like ‘Mr. Polytone’ or ‘Mr. Underwood’, or whoever made the next pick-up.)  And this was without all the great American players I was also into. On electric bass there were some fine players too – Alex Dmochowski swung like no other beside the drummer Aynsley Dunbar, but Steve York, John McVie and Cliff Barton also come to mind. In the midst of this, in 1966 Cream arrived and exploded my sense of everything that might be possible. This configuration of genuine musical equals challenged the hierarchy implicit within many rock and jazz groups. The openness and symmetry of their power-house sound seemed perfect, while their playing was so free and adventurous, nothing was beyond their musical reach. They seemed well able to justify the egotistical band name and the ‘first supergroup’ tag. ‘Fresh Cream’ was constantly on the turntable at home and at parties, with its audacious writing, use of voices as instruments, and dispensing with the bass on occasions to allow Jack to play harmonica. (Play it? – he used it as a means of assault.)  Rhythmically rock-solid yet fluid and innovative, blues-infused without being limited in form, lyrically inventive and intelligent, the album had so much, and it promised more. At the Saville Theatre show in February 1967 that ‘more’ presented itself in its full live glory, and at the bottom of it all was Jack’s bass with ‘that’ sound. In his hands it spoke, it sang, it growled; it drove, it probed, it challenged; it said restlessness, and conviction, and ‘why not?’ Above all it rejoiced in itself without regard for previous ideas of what the role of the bass ‘should’ be. And yet I would misrepresent Jack’s impact to portray it solely in terms of his bass-playing, when...

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New Blog launching on Interplay site

Posted by on Nov 3, 2014

We’re launching a new Blog page on this site, so that we can share things with you that arise through our involvement in music even though they may lie slightly outside the activities of the band. Its hard to predict exactly what the topics will be, but music is a field of endless fascination so there should be plenty to interest you as we develop this new thread. As ever, we will welcome your views and feedback, and hope that through this process we can get to know each other a little better. You’ll find the Blog under the ‘News’ tab on the main menu bar. Our first blog post will be with you...

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Gilles Peterson really likes ‘Global’ by Interplay!

Posted by on Dec 15, 2013

Gilles Peterson really likes ‘Global’ by Interplay!

Gilles Peterson, the much-admired BBC 6Music presenter and long-standing aficionado of British contemporary jazz, has been in touch after listening to Interplay’s ‘Global’. In a brief email to Adrian Litvinoff he commented: ‘Beautiful record – thanks so much for sending!’ Just a few words, but the fact that he took the trouble to pass them on means a lot to us. After all, this is the man who put out two volumes of ground-breaking British jazz of the 1960s and 70s, under the title ‘Impressed’. Thanks very much...

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Jazz Kaleidoscope interview Interplay 21st October

Posted by on Sep 27, 2013

Alan Musson’s programme will be featuring Dave Balen and Adrian Litvinoff sharing their musical experiences and influences to tie in with the launch of the new album “Global”.  Alan will be playing some of the new CD and also some of the music that has inspired Dave and Adrian over the course of their musical lives.  Do tune in on Monday 21st October on 102.5 Fm The ‘Bridge- Stourbridge local radio. To listen online – go to...

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Surprises in Swindon for Interplay

Posted by on May 3, 2012

Baker Street in Swindon is hosting some fine names in British Jazz these days and it was a treat to find ourselves being well looked-after by the house team as well as the jazz night organisers.  After a longish drive and set up it was also good to see all the tables filled well before the start. I was therefore disconcerted – putting it mildly – when my double bass pick-up proceeded to ‘die’ half-way through the second number! Hasty action with the screw-driver produced no results of note (or notes) and so I faced the reality of doing the rest of the gig on electric bass.  I had been warned that some of the audience at least preferred jazz standards to the mixture of originals and global rhythms we were about to play. I wondered whether abandoning the upright bass for bass guitar would be a step too far for them. Happily it seemed to go the other way. We got into our stride after the interruption and the crowd came with us!  We had selected  a global programme in honour of International Jazz Day and managed to ‘visit’ Cuba, Jamaica, India and South Africa as well as playing North American and British Jazz. A very good floor singer called Harry joined us for My Funny Valentine and adapted his delivery to our Lovers’ Rock treatment to acclaim. Even our ‘hairier’ 0riginals got a cheer.  With a couple of encores we were done. I was really pleased because I always prefer to give an audience the benefit of the doubt where new music is concerned. Let them hear it and respond, rather than presuming they won’t or don’t like it. As it turned out people in Swindon did like it, and we look forward to being back there as soon as schedules...

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Interplay Celebrates International Jazz Day

Posted by on Apr 24, 2012

Herbie Hancock is now a Goodwill Ambassador for the United Nations.  I didn’t realise this until I learned just recently that he has managed to persuade UNESCO (United Nations Educational, Scientific and Cultural Organisation) to inaugurate International Jazz Day to celebrate jazz as a world-wide medium of creativity and freedom “because so many countries have been affected in crucial ways over the years by the presence of jazz.”  April 30th is the day, coming at the end of Jazz Appreciation Month in the US. If this sounds a bit ‘worthy’ it reminds us rightly about a really serious facet of our music. In both Nazi Germany and Stalinist Russia Jazz was proscribed – criminalised and forbidden. In many other countries it has been a musical form that helped oppressed groups and individuals to maintain their spirit of independence and hope, including in the US itself.  And while currently right wing views seem to be enjoying a resurgence, not least in parts of northern Europe, many of those countries formerly showed a warm welcome to black musicians who found little respect or opportunity in their country of birth. So while there is a chance that International Jazz Day may go the way of Mick Jagger’s once-vaunted National Music Day (remember that?) I for one welcome it.  I am also flattered that Baker Street Jazz in Swindon have dedicated Interplay’s gig there on May 1st to International Jazz Day.  We’ll be pulling out some of our global grooves in honour of the occasion – please join us if you...

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Interplay back in the land of the gigging!

Posted by on Mar 8, 2012

It’s almost four months since Interplay last played to a real live audience! Sign of the times I guess, with gigs becoming noticeably scarcer all around. So it is with real pleasure as well as a certain amount of relief that we announce our first appearance of 2012, next Wednesday March 14th in Leamington Spa for Leam Jazz. Besides affording us the pleasure of playing for its own sake I take a special pride in this particular gig as indirectly I can claim some responsibility for Leam Jazz getting started.  The moving spirits, Stewart Duthie and John Hodgetts, originally met as members of my Jazz Workshop in 2008. Since then they have arranged vacation sessions for workshop participants, organised public jam sessions and, ably assisted by audio wiz Rob Sargent, presented some exciting and enjoyable jazz gigs over the last two years.  Interplay was actually the first band Leam Jazz put on, back in May 2010, and it’s a true credit to them and their supporters that they are still at it two years later. So come along to Leamington Rugby Club, Kenilworth Road Leamington CV32 6RG on Wednesday 14th March.  Tickets are only £6 and there is excellent beer to be found at club prices. bLA BLA...

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