Posted by Adrian Litvinoff on Apr 24, 2012
Herbie Hancock is now a Goodwill Ambassador for the United Nations. I didn’t realise this until I learned just recently that he has managed to persuade UNESCO (United Nations Educational, Scientific and Cultural Organisation) to inaugurate International Jazz Day to celebrate jazz as a world-wide medium of creativity and freedom “because so many countries have been affected in crucial ways over the years by the presence of jazz.” April 30th is the day, coming at the end of Jazz Appreciation Month in the US. If this sounds a bit ‘worthy’ it reminds us rightly about a really serious facet of our music. In both Nazi Germany and Stalinist Russia Jazz was proscribed – criminalised and forbidden. In many other countries it has been a musical form that helped oppressed groups and individuals to maintain their spirit of independence and hope, including in the US itself. And while currently right wing views seem to be enjoying a resurgence, not least in parts of northern Europe, many of those countries formerly showed a warm welcome to black musicians who found little respect or opportunity in their country of birth. So while there is a chance that International Jazz Day may go the way of Mick Jagger’s once-vaunted National Music Day (remember that?) I for one welcome it. I am also flattered that Baker Street Jazz in Swindon have dedicated Interplay’s gig there on May 1st to International Jazz Day. We’ll be pulling out some of our global grooves in honour of the occasion – please join us if you...
See MorePosted by Adrian Litvinoff on Mar 27, 2011
‘I went down to the demonstration…’ (March for the Alternative, London, 26th March) but instead of abuse I was delighted to find myself in the company of Tony Haynes and members of the very wonderful Grand Union Orchestra. Imagine busking in the street with such luminaries as Claude Deppa, Chris Biscoe, Byron Wallen and Louise Elliott and you will appreciate my excitement! If you haven’t had the pleasure, Grand Union is a magnificent assemblage of jazz and world musicians – literally from all over the globe. Under the creative leadership of Tony Haynes the Orchestra performs concerts and music theatre of astonishing cross-cultural richness and ingenuity. Over 30 years Tony has investigated and engaged with many cultural traditions, producing original works on themes as diverse as the enslavement of African people in the New World, to the history of the Silk Road. The Orchestra has also delivered ambitious and memorable participative community and education projects that draw directly on the musical practice of the Orchestra and its musicians. Tony and I first met circa 1984 when as Director of an Arts Centre in Oxford I was keen to encourage music improvisation among schools in the area. I remember going to see the Orchestra performing in a Sports Hall and being blown away by the diversity, audacity and vitality of the music. I was not alone, as the hundreds of students responded alike. Over the next few years we worked together extensively in Oxfordshire and Warwickshire schools, youth organisations and with local musicians including jazz and rock, Bhangra and orchestral players. The finale ‘If Music Could’ involved 200 young people and adults and subsequently went on to be developed in two other Grand Union residencies. I have learned a massive amount from Tony and the other musicians about how new music can be inclusive so as to reflect and respect different cultural and musical traditions. They also enact the sheer power of music to engage people in participation who may not have had the opportunity to undergo the formalities of conventional training. And that brings us back to the march and the reasons for being there. Masses of arts educational activity is going to disappear in the coming months and years as a result of current government policies, including outreach projects by organisations like Grand Union. In the scale of all the hardships that people will experience this may not...
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